Why is it that we can recall the lyrics and melody of a song from our childhood, but we struggle to find our keys in the morning, or find ourselves unable to remember peoples’ names? Time and age can cause organized memories to gradually become a maze of fragments, but music often remains the one thing that helps us to remember who we are. As memory fades, is music the final conduit for our memories and connection to our past?
In Wanting Memories, Cantus explores the unique and enduring relationship between music and memory in all of our lives. Through selections that include timeless tunes like “Over the Rainbow” and “What a Wonderful World” and anchored by Ysaÿe M. Barnwell’s “Wanting Memories,” this performance traverses the realms of nostalgia and family, loss and love, grief, laughter, fear and hope.
The “engaging” (New Yorker) low-voice ensemble Cantus is widely known for its trademark warmth and blend, innovative programming and riveting performances of music ranging from the Renaissance to the 21st century. The Washington Post has hailed the Cantus sound as having both “exalting finesse” and “expressive power” and refers to the “spontaneous grace” of its music making. The Philadelphia Inquirer called the group nothing short of “exquisite.”
As one of the nation’s few full-time vocal ensembles, Cantus has come to prominence with its distinctive approach to creating music. Working without a conductor, the members of Cantus rehearse and perform as chamber musicians, each contributing to the entirety of the artistic process, creating programs that give voice to shared human experiences. As the Star Tribune has written, “The main hallmark of the Cantus sound has always been sheer quality and an unbroken belief in the special way that vocal music has of warming and invigorating the human spirit.”